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Vitruvian Fine Art Studio

Art Instruction for Beginners and Professionals

Vitruvian Fine Art Studio
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5.4 – Value Study, Part 2

You must first complete 5.3 – Value Study, Part 1 before viewing this Lesson
Please purchase the course before starting the lesson.
You must first complete 5.3 – Value Study, Part 1 before viewing this Lesson
5.3 – Value Study, Part 1
6.1 – Color Study Introduction

Still Life Painting – The Online Course

Introduction

Lessons

  • 1.1 – Still Life Painting Introduction
  • 1.2 – Still Life Painting Materials
  • 1.3 – Setting Up to Paint

Paint

Lessons

  • 2.1 – Why Oil Paint?
  • 2.2 – Painting Technique Overview

Color

Lessons

  • 3.1 – The 3 Dimensions of Color and the Munsell System
  • 3.2 – Color Space
  • 3.3 – On Mixing Color
  • 3.4 – On Palettes
  • 3.5 – Practical Example: Hitting a Target in Color Space
  • 3.6 – What’s So Special About Value?

Drawing & Transfer

Lessons

  • 4.1 – Introduction to Drawing for Painting
  • 4.2 – Compositional Framework
  • 4.3 – The Block-In
  • 4.4 – The Line-In
  • 4.5 – The Transfer

Value Study

Lessons

  • 5.1 – Value Study Introduction
  • 5.2 – Shellacking
  • 5.3 – Value Study, Part 1
  • 5.4 – Value Study, Part 2

Color Study

Lessons

  • 6.1 – Color Study Introduction
  • 6.2 – Palette & Safety
  • 6.3 – Color Study, Part 1
  • 6.4 – Color Study, Part 2

Underpainting

Lessons

  • 7.1 – Underpainting Introduction
  • 7.2 – Underpainting, Part 1
  • 7.3 – Underpainting, Part 2
  • 7.4 – Underpainting, Part 3

The First Pass

Lessons

  • 8.1 – First Pass Introduction
  • 8.2 – First Pass, Part 1
  • 8.3 – First Pass, Part 2
  • 8.4 – First Pass, Part 3
  • 8.5 – First Pass, Part 4
  • 8.6 – First Pass, Part 5
  • 8.7 – First Pass, Part 6
  • 8.8 – First Pass, Part 7
  • 8.9 – First Pass, Part 8
  • 8.10 – First Pass, Part 9

The Second Pass & Finishing

Lessons

  • 9.1 – Second Pass Introduction
  • 9.2 – Second Pass, Part 1
  • 9.3 – Second Pass, Part 2
  • 9.4 – Second Pass, Part 3
  • 9.5 – Varnishing

About this Course

One of the many things that makes painting tricky is that the same color can look different in different contexts. That's why you should always judge your mixtures in relation to what's around them, not in isolation.

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Course by

David Jamieson

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