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Vitruvian Fine Art Studio

Art Instruction for Beginners and Professionals

Vitruvian Fine Art Studio
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9.2 – Second Pass, Part 1

You must first complete 9.1 – Second Pass Introduction before viewing this Lesson
Please purchase the course before starting the lesson.
You must first complete 9.1 – Second Pass Introduction before viewing this Lesson
9.1 – Second Pass Introduction
9.3 – Second Pass, Part 2

Still Life Painting – The Online Course

Introduction

Lessons

  • 1.1 – Still Life Painting Introduction
  • 1.2 – Still Life Painting Materials
  • 1.3 – Setting Up to Paint

Paint

Lessons

  • 2.1 – Why Oil Paint?
  • 2.2 – Painting Technique Overview

Color

Lessons

  • 3.1 – The 3 Dimensions of Color and the Munsell System
  • 3.2 – Color Space
  • 3.3 – On Mixing Color
  • 3.4 – On Palettes
  • 3.5 – Practical Example: Hitting a Target in Color Space
  • 3.6 – What’s So Special About Value?

Drawing & Transfer

Lessons

  • 4.1 – Introduction to Drawing for Painting
  • 4.2 – Compositional Framework
  • 4.3 – The Block-In
  • 4.4 – The Line-In
  • 4.5 – The Transfer

Value Study

Lessons

  • 5.1 – Value Study Introduction
  • 5.2 – Shellacking
  • 5.3 – Value Study, Part 1
  • 5.4 – Value Study, Part 2

Color Study

Lessons

  • 6.1 – Color Study Introduction
  • 6.2 – Palette & Safety
  • 6.3 – Color Study, Part 1
  • 6.4 – Color Study, Part 2

Underpainting

Lessons

  • 7.1 – Underpainting Introduction
  • 7.2 – Underpainting, Part 1
  • 7.3 – Underpainting, Part 2
  • 7.4 – Underpainting, Part 3

The First Pass

Lessons

  • 8.1 – First Pass Introduction
  • 8.2 – First Pass, Part 1
  • 8.3 – First Pass, Part 2
  • 8.4 – First Pass, Part 3
  • 8.5 – First Pass, Part 4
  • 8.6 – First Pass, Part 5
  • 8.7 – First Pass, Part 6
  • 8.8 – First Pass, Part 7
  • 8.9 – First Pass, Part 8
  • 8.10 – First Pass, Part 9

The Second Pass & Finishing

Lessons

  • 9.1 – Second Pass Introduction
  • 9.2 – Second Pass, Part 1
  • 9.3 – Second Pass, Part 2
  • 9.4 – Second Pass, Part 3
  • 9.5 – Varnishing

About this Course

The second pass will likely be the final layer of paint on the panel. As such, we get to boost the fat content of our medium a little bit to make the paint a little by more full-bodied. It's also a good idea to remove any surface anomalies by lightly scraping-down with your palette knife any areas you plan to repaint.

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Course by

David Jamieson

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